Bartle Bull’s objective in the very readable Land Between the Rivers is to demonstrate that the modern country of Iraq is not a mere colonial creation but rather has a historical reality going back millennia.
Category Archive: Non-Fiction
How the Plong (often commonly referred to as Pwo) Karen community in Hpa-an, the state capital of Karen State in southeastern Myanmar, live their lives in line with the conscious pursuit of a moral existence is the focus of Justine Chambers’s new book Pursuing Morality: Buddhism and everyday Ethics in Southeastern Myanmar. Focusing on how Plong Karen choose the most ethical and moral way to live, the book highlights the importance of Thout kyar, “a promise to maintain a particular ethic that people describe as fundamental to living in harmony with each other”, to many Plong Karen.
Back in the day, everyone went to China, some already famous—Charlie Chaplin, Marlene Dietrich, Eugene O’Neill, Langston Hughes, Mary Pickford—and some who later would be famous, such as Wallis Spencer, the woman who, a marriage or two later as Wallis Simpson, caused the King of England to abdicate. Her time in Shanghai was the subject of later scurrilous (and it would appear, entirely fabricated) rumors about pornographic photographs, bordellos and something called the “Shanghai grip” (best left to the imagination).
Translators have made books from around the world available through the centuries to those unable to read the language in which a work first appears. Translation allows us to gain insights and grapple with the arguments of authors from around the globe. A world without translation would be, for most readers in the Anglosphere, a world without such works as Sun Tzu’s classic Art of War or Mao Zedong’s modern On Protracted War. While Asian literature is relatively well represented in English translation, from Murasaki Shikibu’s ancient Tale of Genji to Murakami Haruki’s latest novel, The City and Its Uncertain Walls, translations of their non-fiction equivalents are comparatively rare.
Chronic pain can be extremely frustrating to sufferers, especially as there are often no direct causes and can be hard to resolve. While pain may be linked to personal trauma, it can also extend to family and even historical events. In Nervous, Filipino-American writer Jen Soriano links all these in 14 thought-provoking, poignant personal essays about her childhood, family background, activism, and the Philippines, where her parents came from. In short, this is a book about personal, family and communal pain.
BTS are one of the biggest pop culture phenomena to emerge in the 21st century, a fragmented era where one struggles to name similarly hegemonic icons. Perhaps only the Marvel Cinematic Universe or Harry Potter have had a similar reach and staying power. BTS have transcended their original (and already sufficiently lucrative) market of South Korean idol pop, collaborated with western radio mainstays such as Coldplay and Ed Sheeran, and become megastars—only recently fragmenting into solo careers as the members face South Korea’s compulsory military service. For the band’s legion of fans, who refer to themselves as ARMY (this is singular too, a fan can refer to oneself as an ARMY), they need no introduction.
In our book Painter and Patron, about the Códice Casanatense, an album of annotated Luso-Indian watercolors produced in Goa ca 1540, my co-author Juan José Morales and I noted that the both the paintings and annotations indicated both considerable and rather granular knowledge of the people and places all over Asia, Persia, Arabia and East Africa, as well as familiarity with descriptions in Portuguese sources as yet not formally published at the time. How this happened, we could only guess; Jorge Flores’s Empire of Contingency: How Portugal Entered the Indo-Persian World, although it deals with a period from a few decades to a century and a half later, helps explain what was going on.
India’s western frontier with Pakistan may generate more headlines but India’s eastern border flanking both Myanmar and Bangladesh is arguably more complex. Both neighbors have long been unstable and have both at points in their history found their territory being used by rebels waging war against New Delhi. It is not just neighboring countries that pose a challenge: internal borders too are at play. The Indian government for decades has had a complex, often tumultuous relationship with its northeastern states. The inherent complexity of the region means a wider, more expansive approach to political analysis is needed. This is precisely what Avinash Paliwal’s new book seeks to do.
India has inspired William Dalrymple for well-on thirty years, resulting in a number of eminently readable books, including White Mughals—an analysis of east-west inter-cultural conflicts), Return of a King (a portrait of military disaster); and The Anarchy, an exposé of colonial exploitation. In his latest book, The Golden Road, Dalrymple for the first time tackles a big, civilizational theme: what world history owes to the subcontinent.
The Partition of India has inspired cinema, some of which has reached audiences outside South Asia, especially when produced or directed by the Indian diaspora: for instance, Deepa Mehta’s Midnight’s Children (based on the Booker winner by Salman Rushdie) and Gurinder Chadha’s Viceroy’s House. However, there are more films that draw from partition as setting, theme, entertainment and history in art as well as commercial traditions of film-making in India, and to an extent, Pakistan and Bangladesh. Most of the individual films in this substantial body of work have been brought together by John W Hood in Tear-Drenched Earth: Cinema and the Partition of India. By Hood’s own admission, the book is not an exercise in film criticism but a way of exploring the use of Partition, “a gold mine of stories for filmmakers”, as an idea and as a theme.