A much-loved memoir about a Japanese author’s relationship with her cat is translated into English for the first time by award-winning translator, Ginny Tapley Takemori. Writer Mayumi Inaba won many prizes for her stories and poems before her untimely death from cancer in 2014. She was well-known as a cat lover, particularly her calico, Mii. This modern classic—published as Mornings with My Cat Mii in Britain and forthcoming as Mornings without Mii in the US—describes the close bond they shared over the 20 years of Mii’s life.
Category Archive: Non-Fiction
The Great Mughals, Art, Architecture and Opulence, edited by Susan Stronge, is a new book published by V&A publications to coincide with the exhibition currently on display at London’s Victoria & Albert Museum.
Japanese woodblock prints of the 18th and 19th centuries are, one comes to realize, one of the earliest example of mass commercial art, at least purely secular art, and one that still resonates with modern sensibilities. As testament to their volume, Britain’s Victoria & Albert Museum has, quite literally, tens of thousands of prints, a collection which began with an acquisition from the 1886 Exposition Universelle in Paris and rounded out, if that’s the word, with a purchase in 1886 (“at the height of Japonisme”) of more than 12,000 from the London-based Asian art dealer, SM Franck & Sons. Fortunately, this volume, which features prints from the collection, also testifies to their aesthetics and long-lasting appeal.
Much has already been written about the Manila Galleon, the system of annual commercial sailings between Manila and Acapulco that dominated trans-Pacific trade for two and a half centuries from the latter part of the 16th-century until the early 19th, a development which is often taken to mark the beginning of “globalization”. Juan José Rivas Moreno reviews much of that as background, but unlike perhaps any other book on the subject to date, he turns his gaze to what was going on in Manila itself.
At a time when much of what passes for international commentary has the depth and nuance of a tweet, Geoff Raby’s Great Game On is something of a relief. The former Australian Ambassador to China keeps his politics largely to himself, but doesn’t have much time for mainstream Western (read “American” for the most part) views, which he finds simplistic.
The Sassoon family was and remains legendary in global business and social history, with Victor Sassoon as its most iconic figure. He embodied the spirit of the cosmopolitan elite in the early 20th century, maintaining residences and businesses across the major financial centers of his time, dividing his life between Bombay, London, and Shanghai. As a financier, he operated worldwide, skillfully navigating the complex networks of empire and commerce that defined his era.
Literary history of vernaculars in the West has a well-established narrative. For instance, Geoffrey Chaucer is considered the “father” of English literature, followed by the other greats of the Renaissance—Spenser, Sidney and Shakespeare—and the canon continues. The literary histories of Indian languages, in contrast, do not have such a straightforward lineage.
For two decades, Singaporean diplomat and author Kishore Mahbubani has been a leading voice among a growing group of intellectuals and pundits publicizing the “Asian Twenty-First Century”, a triumphalist arc where Asian powers—especially a rising China—have cast off the shackles of Western colonialism to assume their “rightful” place atop in the global hierarchy of nations and civilizations. Mahbubani’s oeuvre, dominated by his series of bestsellers popularizing a tale of Western decline and Asia’s rise, has won recognition from a host of audiences ranging from American internationalists and Chinese nationalists.
The ever-increasing amount of Indian fiction appearing in English translation has been one of the most striking publishing phenomena of the past two decades. But Lakshmi’s Secret Diary comes to us not via Bengali, Hindi or Tamil, but French. That author Ari Gautier hails from Pondicherry, the capital of the erstwhile French territory in India, is part of the story; Gautier however was born in Antananarivo, Madagascar, to a Franco-Tamil father and a Malagasy mother. In Pondicherry, Gautier was educated at the Lycée Français and subsequently emigrated to France.
Silk Roads is the accompanying publication to the current exhibition on display at the British Museum in London. Written by the Curators of the Silk Roads exhibition, Sue Brunning, Luk Yu-Ping and Elisabeth R O’Connell, this beautifully illustrated publication examines cross-cultural exchanges that occurred across Asia, Africa and Europe during 500 and 1000 CE.