In children’s literature and in young adult fiction, food is often used to bridge cultures—“dumplings are the great social equaliser” says the protagonist in the YA novel The Surprising Power of a Good Dumpling as an example. And while food might be one of the easier entries into a culture, there are other ways too. Art, for example, which Singapore’s National Gallery does with success in its “Awesome Art” series.
Author: Melanie Ho
Tom is a young boy who is “ordinary most of the time”—that is, unless he’s visiting his grandmother Bea, an archaeologist whose artifacts have the power to transport Tom back into time.
Inspired by a real telephone box located in the north-east of Japan comes The Phone Box at the Edge of the World by Laura Imai Messina, a novel about Yui, a woman who lost her mother and daughter in the 2011 tsunami and is forced to navigate her grief as well as the life that lies ahead.
There is an increasing number of young adult (YA) novels with an Asian focus—“Asian YA”, as fellow ARB reviewer Susan Blumberg-Kason recently wrote—and Wai Chim throws her hat into the ring, with The Surprising Power of a Good Dumpling.
A young girl follows her mother to work for the first time, climbing aboard a library bus in Kabul, Afghanistan to help on weekly visits to small villages and refugee camps. A group of young girls wait patiently for the bus to come. The door opens and the girls search for new books to borrow before sitting down for a lesson with the little girl’s mother.
Yayoi Kusama and her iconic dots are instantly recognizable the world over, making the 91-year old among the (if not simply the—an article in The Guardian asks “Yayoi Kusama: the world’s favourite artist?”) most famous artists in the world. It’s clear she inspires many: one need only look at the countless collaborations or at #yayoikusama on Instagram. Her life and her art have inspired many a book and Elisa Macellari adds to the growing body with Kusama: The Graphic Novel.
Short books: digestible in one sitting (think a cup of coffee or, in this instance, the final hour before school pick-up) and self-contained. The idea that few(er) words still pack a big punch. Increasingly, short books and series of short books are becoming more popular, their bite-sized format appealing to readers, writers and publishers alike.
An unnamed narrator addresses her lover: “I didn’t know your name when we first met. No one introduced us. The only thing I remember is that you were picking roadside elderflowers.” The relationship between the young Chinese narrator and “you”, the elderflower picker, progresses quickly and their relationship, from living on a houseboat to exploring Australian tourist towns, is explored through the fragments of conversations that make up Guo Xiaolu’s A Lover’s Discourse.
Michael Prior’s second poetry collection Burning Province opens with a stark image, one that speaks to the trauma and intergenerational memory that carries through the volume.
Jena Lin was a child prodigy; now, in her early twenties, she uses sex to fill the void left by fame. Jena is still a musician, her professional life taking her from practice to rehearsal and back again. But once a solo violinist who traveled the world, she now finds herself auditioning for a position in an orchestra.